



I still have four pairs of socks to crank, socks not needed by Christmas. Now, with the New Year, it’s time to restock Artistree Gallery with socks and weaving, and begin cranking again for next summer’s art shows.




I still have four pairs of socks to crank, socks not needed by Christmas. Now, with the New Year, it’s time to restock Artistree Gallery with socks and weaving, and begin cranking again for next summer’s art shows.
A couple weeks before Thanksgiving, a post came in from the Weaving Sales Ads list. An old temple was for sale, and it had a name and date engraved on the underside, “A. Halvorsdatter, 1850.” My fingers flew across the keyboard to get a reply sent off, yes, I was interested in purchasing it.

On my way to our monthly weaving guild meeting, I stopped at our mailbox and found a long package, the temple! It was about an hour’s drive to get to Marcia’s home, and I managed to wait until I got there to open the package.

There it was, 25 inches in length, with most of the original brads, though slightly bent. The pin, to push through the holes at desired size, was attached with green yarn. The temple will open to 41 inches, though to use it, the pin needs straightening.
My paternal grandparents came here from Norway, around 1918. My grandmother’s name was Severina Simonsdatter. Hence my interest in a piece of weaving equipment that may have been owned/used by a young woman of Norwegian or Swedish descent. In Norwegian, “datter” means daughter.
How I would love to know who A. Halvorsdatter was. Where did she live, both here and very likely in the “old country?” What did she weave? Was she born in Norway or Sweden and brought this temple with her? You never know what weaving gift will appear in your mailbox, or your life. A small piece of A. Halvorsdatter now lives on in another weaver’s home studio.
(Note: When I took the photo, I had neglected to turn one piece over so the pointed brads on each end were facing down; that has been corrected.)
I was away for several days, enjoying time with family members. Now? Back home in my weaving studio, enjoying the beginning of winter.


The job was finished at 2:30 PM, and a few minutes taken for photos (four adults had had to leave earlier) before loading up the log splitter and chain saws they had brought.

Also helping were my daughter, Linnea, and Nancy’s daughters, Anna and Emilie. They worked hard all day and kept up with the men. Keesha kept everyone company and was always up for some petting. I also spent some time at our log splitter (now with a new motor put on a few days ago). Nancy had arrived early Saturday AM with chili, homemade cinnamon-apple sweet rolls, and a big coffee pot, and I made two pans of cornbread and served the food. The weather was perfect on Saturday, sunny, around 60 and a light breeze.
So, my continuing thanks to everyone who gave up several hours of their Saturday to help a northwoods neighbor. You are, and remain, in my thoughts and prayers.
I have had a couple weeks of dealing with home, family, and recently making the decision to move back to southern WI, hopefully next summer. I love our home here in the northwoods, and very thankful for 17 years up here, 13 years in this house. However, with my husband gone five years now and my last two children leaving home in less than a year, I’ve reached the conclusion that this house is too big and too much maintenance for me alone. The time has come for to move on and start a new life. I’ve been making lists of what to keep, give, toss, and take to thrift stores. Now, the work of moving begins.

I sat down to weave on the rug late yesterday afternoon and could not get a clear tabby shed with my left tabby treadle. I finally discovered some Texsolv heddles had fallen off the bottoms of some shafts, and when that happens they often catch on moving neighboring shafts, causing problems. I recalled having to move heddles from one shaft to another, and now noticed I had not replaced the long strings going around the bottom shaft bars.
This morning, I sat down, put all the heddles back on each shaft, making sure none were twisted. Then, one shaft at a time, replaced those strings, going around the bottom of each shaft bar, outside of the heddles, and making sure I had not included the long Texsolv cords from jacks to lamms.




I’ve written to weavers in the Complex Weavers Double Harness Study Group, posted photos in an album, and asked for ideas, suggestions, and/or experiences with this, and replies are starting to come in.
Meanwhile, in-between getting ready for weaving guild members meeting here tonight, I’ll be going over the loom again, trying to discover the problem and how to fix it. I’ll keep you posted.
Today and tomorrow are studio days, for working on and at looms and sock machine. My time to work here has been so broken up the last couple weeks, that I have not getting much done. Too many interruptions lately, demands on my time, errands, appointments, and I’ve called a halt.

This morning the drawcord warp was trimmed where each cord is tied to a pattern heddle. There were approximately 3″+ tails left on each when they were tied awhile back, and pulling the cords was causing those ends to wrap around themselves and their neighbors (above).

All I could see to do was cut those ends off, so they were trimmed to 1″. So far there has been no further problem. The old drawcord warp was a thicker linen with a slightly waxy finish on it, and the knots were tight and held. With the seine twine, I have not been able to tie good tight knots, so hoping they will hold.
The next task today, when I’m done here, is lashing the tie-on rod onto the apron, so large-eye needle, string, and pliers are standing by. When I’m done with that, I’ll tie the 20/2 cotton warp on, then be able to pull the pins out of the upper jacks and check to see if I have a shed and how much adjusting needs to be done (next post).
I have always enjoyed visiting artists studios, seeing how and where they work. It was something I did each summer when going to The Looms. Now, living where I do, these opportunities are rare, so I turn to books like…

those of Rice Freeman-Zacher, author of “Living the Creative Life, Ideas and Inspiration from Working Artists” and her new book, “Creative Time and Space, Making Room for Making Art.”

I also enjoy publications like American Artist’s “Studios” magazine (left), for fine artists, and “Studios” (right) by Cloth.Paper.Scissors, for artists working in paper/collage/fibers/art quilts.
WI weaver Dawn MacFall is featured in this issue. Fun and interesting reads that give ideas for my studio that may work for me here or in the future.

While ordering “Creative Time and Space” on Amazon, I suddenly remembered an article that had been in an issue of Shuttle, Spindle & Dyepot (Winter 2008/2009), “Kimono as Art: The Landscapes of Itchiku Kubota.” This book and the work of Itchiku Kubota is incredibly beautiful. Pure inspiration! A treasure!


This silk weaver in Cambodia has an interesting double harness loom, with the ground shafts in back and 16 pattern shafts in front. I would love to know more about this loom as well as see the weaving she does on it. I found her last night on Kiva.org, and made another microloan. I am SO enjoying this!

Postscript: The above photos were taken about 9:15 AM; by 11:30 the snow was melting and it is now looking more like our usual fall. I’m on dial-up, loading photos to Blogger takes TIME, and circumstances change!



I need to work on sock names again as I’ve been coming up with more new color combinations. When you have over a hundred names on your list, you tend to start running out of ideas!


The pattern heddles on the outside, both sides, of the drawloom are a terrible tangled mess! Do you remember Kylie, our dog who had to be put down the second day of the Summer Art Tour? She had the canine version of dimentia, standing and staring into corners or at walls. Unhappily, she also would often get under one of my looms, and was unable to figure out how to get back out. I took to parking chairs and stools in front of any openings along the sides and ends of the drawloom I thought she could get through, and still she would get in there. The tangled heddles are the result.
You can see, on the right, a few I managed to untangle this morning. Over two hours working on it and I still have a ways to go. The larger tangled group was much, much worse when I started. The other side of the loom is nearly as bad. I have my work cut out for me!
Do I need them untangled to weave? No, I’ll just be a much happier weaver when this is done!
A new social network was created on ning.com, “Artists of the North,” started by photographer Jim Dummer of Tomahawk, WI. It is to be a place of “communication within the artists community of northern WI,” and a place to share ideas and insights. It is also for people interested in the arts and artists. I just joined, and am looking forward to the sharing and discussions that will take place. http://artistsofthenorth.ning.com.
So far today, I have been resting from the past three days of the art tour. Now, though, I think a walk outdoors would be good, even though it is cold and breezy. Then it is my usual, socks to make, toes to close, and weaving to do, and that is all good. There will be a good sense of accomplishment tonight.
One more thing I did today, a second microloan on KIVA, http://kiva.com, and I’m sitting here smiling and thinking of a woman in Mongolia working to improve and increase her business. Time for my walk, so I can get back to tending Shuttle Works Studio.