Today and tomorrow are studio days, for working on and at looms and sock machine. My time to work here has been so broken up the last couple weeks, that I have not getting much done. Too many interruptions lately, demands on my time, errands, appointments, and I’ve called a halt.
This morning the drawcord warp was trimmed where each cord is tied to a pattern heddle. There were approximately 3″+ tails left on each when they were tied awhile back, and pulling the cords was causing those ends to wrap around themselves and their neighbors (above).
All I could see to do was cut those ends off, so they were trimmed to 1″. So far there has been no further problem. The old drawcord warp was a thicker linen with a slightly waxy finish on it, and the knots were tight and held. With the seine twine, I have not been able to tie good tight knots, so hoping they will hold.
The next task today, when I’m done here, is lashing the tie-on rod onto the apron, so large-eye needle, string, and pliers are standing by. When I’m done with that, I’ll tie the 20/2 cotton warp on, then be able to pull the pins out of the upper jacks and check to see if I have a shed and how much adjusting needs to be done (next post).
I have always enjoyed visiting artists studios, seeing how and where they work. It was something I did each summer when going to The Looms. Now, living where I do, these opportunities are rare, so I turn to books like…
those of Rice Freeman-Zacher, author of “Living the Creative Life, Ideas and Inspiration from Working Artists” and her new book, “Creative Time and Space, Making Room for Making Art.”
I also enjoy publications like American Artist’s “Studios” magazine (left), for fine artists, and “Studios” (right) by Cloth.Paper.Scissors, for artists working in paper/collage/fibers/art quilts.
WI weaver Dawn MacFall is featured in this issue. Fun and interesting reads that give ideas for my studio that may work for me here or in the future.
While ordering “Creative Time and Space” on Amazon, I suddenly remembered an article that had been in an issue of Shuttle, Spindle & Dyepot (Winter 2008/2009), “Kimono as Art: The Landscapes of Itchiku Kubota.” This book and the work of Itchiku Kubota is incredibly beautiful. Pure inspiration! A treasure!