Category Archives: countermarche loom

The Great Studio Swap Part 2


Today, at long last, I had enough extra hands to help move the drawloom from a second floor room down to my new studio space, the main floor of my home. The loom dismantles quite quickly, everything was carried down, each of us had pockets full of bolts, nuts and washers (and instructions to remember which part of the loom each pocket of hardware came from). We re-assembled nearly everything, still needing to add the upper and lower lamms and the treadles. The shafts need work as they are tied in the old way, no Texsolv on them yet, though I’m considering it. The drawcord warp will need to be unwound, re-threaded in the reed, and beamed again, or completely replaced. A trip to the hardware store is needed to check for heavier cord for the counterweights.

Still, I am so pleased this change in location of my weaving studio is finally taking place. More swapping of furniture and weaving equipment will take place over the next couple days.


I’ve been working on a 15 yard cottolin warp, unbleached and white stripes for a series of towels and table runners. As my loom is a horizontal countermarche, there are cords running down the middle of the loom, so warps are made in two halves then beamed together. Pics of back-t0-front warping will be added soon.

Batik Table Runners

Auditioning warp colors and fabrics, this was the beginning of a series of table runners. I ended up with twelve colors in the warp, and used different coordinating batik fabrics for weft. The cotton prints in the basket were set aside for a future warp.

Since I have a horizontal countermarche loom, I make my warps in two halves, most often on the warping mill.


One runner in a series using various “wine” batiks.


Wine runners at The Studio Gallery, Summer 2008.

Welcome to Shuttle Works Studio

My interest in weaving began in May 1979, during a visit to “The Looms” in Mineral Point, WI, owned and run by the late Ken Colwell. The museum had a wonderful old Norwegian counter-balance barn-type loom, a Jacquard loom and a working table-size Jacquard loom. In addition, there was a large collection of spinning wheels, and an outstanding coverlet collection.

In the classroom area were several Glimakra countermarche looms, and upstairs was a loom with an opphampta attachment, a single unit drawloom, and an AVL computer-driven dobby loom. I knew I would return.

Being newly married, it took a couple years before I expressed my desire to spend a week at The Looms to attend a Beginning Weaving class, and did so in Summer 1981, followed by an Intermediate Weaving class in 1982. Before returning home, I ordered a 10 shaft Glimakra countermarche loom, which I still weave on today. Each summer for about ten years I would travel to Mineral Point and attend a weaving class, or Colloquy, an annual gathering of members of Complex Weavers. Around 1986, I brought home a used, 10 shaft Glimakra single unit drawloom. I had just started weaving on that loom, when we moved to the northwoods of WI. With three moves in five years, the drawloom has been disassembled for the past thirteen years. I am now looking forward to learning about damask and drawloom weaving.

Marriage, three children, and homeschooling were priorities over the past 21 years. While I continued to do some weaving and spinning, the strong desire to pursue my interests in fibers never left. Now that my oldest daughter is attending college, and my two teens attend high school, I am now able to pursue my weaving and other fiber interests.

In order to make my studio space accessible to visitors, we are about to move everything from a large upstairs room to the main floor of our home. This is going to be interesting.

The photo above is of a quiet moment in Shuttle Works Studio.