Category Archives: warp

Warping Behind Schedule

I started this warping process with a fine 20/2 cotton thread about three days ago. Things were going well and I made the first of the two warps which will only be about 5″ wide, sett is 36 epi. Two nights ago I decided it will be beamed onto the Glimakra table loom.


Above, is one-fourth of the drawloom warp, counting thread on, and just before adding cross and choke ties. I’m making it in four 4″ sections, 64 epi, and 18 yards in length. The overall width will be 16″ for a total of 1,024 threads, placed on the warping mill one thread at a time. I’ve already decided I’ll be experimenting with making these warps perhaps 4 threads at a time using a fixed warping paddle.

This mill is 3 yards around, so to make the warp in two sections, I would have had to shorten the length of the warp. Since my drawloom has the long extension on it, and I did not want to re-warp and re-thread right away, I decided 18 yards would be good. Trying to squeeze more threads onto the mill would, in my opinion, be risking tangling of threads or worse.

So, why am I not done? I’ve been distracted! A couple weeks ago I’d started to set up an online shop on 1000 Markets, and submitted it for approval on July 4th. Three days later an email arrived requesting I retake photos of the towels in natural light. So I spent two days taking photos of both the towels and socks (might as well do them over, too), somewhere over 100 photos. After deleting most of the pictures and keeping those I thought were okay, I resubmitted for approval again a couple days ago.

Last night, around 10:45 PM, an email arrived saying my shop was Live! Now, I’m busy learning my way around 1000 Markets, reading in the Forums, browsing through Markets to determine where I might fit, and so on. Today I requested being part of two markets, and heard back from one almost immediately. I still need to set that up, and perhaps post a first blog entry there, hopefully tomorrow.

So in-between all this online time, I have been working on my fine warps. Half the drawloom warp is done, and I’ll be back at the warping mill again tomorrow. I’m really looking forward to threading, though I’m thinking when that is done I’ll definitely need new glasses.

It’s cool again tonight, around 50 degrees out, but the Whippoorwill has been singing away since just after dark. He sings me to sleep every night, just under my bedroom window.
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Fine Warps

There are two looms in the studio, warped, and two needing warps, it’s time to take care of this situation. Last night, I chose a weave structure from the Davidson book, yes, a “recipe,” as I’m in the mood to weave up something a bit smaller. I decided on sachets so wanted a pattern that could be varied with both treadling and color to give some variety. The back sides of the sachets will also be handwoven, most likely in plain weave. Inside will be small muslin “pillows” of dried lavender flowers.

I chose “Caroline Halvorsen’s No. 30″ on p. 44, liking the stripe design which I think will give a bit of a contemporary feel to them. I’ll be doing three repeats, using 20/2 cotton, 36 epi for this twill, so finished sachets will measure approximately 3 3/4″ square. This warp will be going on a 22” Harrisville (direct tie-up) loom.

After my last misadventure with a certain warping board, which shall go unnamed here, these warps will be made on a warping mill. This warp will be a total of 168 ends on four shafts, and I’m thinking I’d better count heddles before I start.

The second warp is for the drawloom, 20/2 cotton, 60 epi, 4 ends/dent in a 15 dent reed (I’ll need to order ASAP), or 5 ends/dent in a 12 dent reed. The warp will be 16″ wide for a total of 960 threads.

The weave structure for the drawloom will be 8 shaft satin, the warp will be threaded in straight draw 1-8 on the ground shafts, and pattern heddles will be threaded as half units, meaning each will be threaded with 4 threads, instead of 8, giving greater patterning flexibility.

Photos will be coming as I get further along. At the moment, I am paging through three large notebooks of past newsletters of both the Damask and Double Harness Study Groups of Complex Weavers, checking through some drafts/records to make sure I’m thinking this through correctly. Research.

I was going to start this tonight, but have decided to wait for daylight. I’ll bring the cone holder down, place a cone of 20/2 cotton on it, set the Ott floor lamp next to the warping mill , and start winding. I think “Last Chance Harvey” will be on, a good movie, and something to listen to while I pay attention to my crosses.

Earlier today, I went down the road and sat on a neighbor’s pier to enjoy a beautfiful, sunny afternoon in the northwoods. While sitting there, quietly, paging through the WI Sheep & Wool Festival book that arrived in the mail, I was able to quietly observe two mama ducks with their babies, three Mergansers, one loon, and several painted turtles, sunning themselves on a log my neighbor has anchored offshore for just that purpose. There was also a hawk flying over the lake, smaller birds trying to chase it away, and while that was going on, one mama duck herded her ducklings under the next pier over, and just up out of the water, out of sight. It was so enjoyable, being able to observe all these quiet daily activities of my wildlife neighbors.

Batik Table Runners

Auditioning warp colors and fabrics, this was the beginning of a series of table runners. I ended up with twelve colors in the warp, and used different coordinating batik fabrics for weft. The cotton prints in the basket were set aside for a future warp.

Since I have a horizontal countermarche loom, I make my warps in two halves, most often on the warping mill.


One runner in a series using various “wine” batiks.


Wine runners at The Studio Gallery, Summer 2008.