In late September, I had expressed my interest, to a couple artist friends, in applying for the 2009 Northwoods Art Tour. I was encouraged to send in an application, due at that point in two weeks. Amy Higgason, Pigeon Road Pottery, emailed an application to me, I filled it out, chose photos of my work, studio, and home, and mailed it off. I was aware there was only room for so many artists on the tour, so had prepared myself to be wait-listed.
On Sunday evening, Oct. 26th, I found an email from artist Debbie Jircik, Circle of Life Studio, who is on the Art Tour, saying they had met that day and I had been voted in. This morning, Joan Slack, Riverrun Center for the Arts, called to officially notify me I had been unanimously accepted. They will need text and photos for both the brochure and website before the end of the year.
I am really looking forward to a winter of weaving and cranking socks, as well as the Northwoods Art Tour next summer and fall, and having my work out in area galleries, a shop, and two or three art shows. Now, to work…
Today, at long last, I had enough extra hands to help move the drawloom from a second floor room down to my new studio space, the main floor of my home. The loom dismantles quite quickly, everything was carried down, each of us had pockets full of bolts, nuts and washers (and instructions to remember which part of the loom each pocket of hardware came from). We re-assembled nearly everything, still needing to add the upper and lower lamms and the treadles. The shafts need work as they are tied in the old way, no Texsolv on them yet, though I’m considering it. The drawcord warp will need to be unwound, re-threaded in the reed, and beamed again, or completely replaced. A trip to the hardware store is needed to check for heavier cord for the counterweights.
Still, I am so pleased this change in location of my weaving studio is finally taking place. More swapping of furniture and weaving equipment will take place over the next couple days.
I’ve been working on a 15 yard cottolin warp, unbleached and white stripes for a series of towels and table runners. As my loom is a horizontal countermarche, there are cords running down the middle of the loom, so warps are made in two halves then beamed together. Pics of back-t0-front warping will be added soon.
Since the countermarche loom was moved a few days ago, it seemed a good time to do a little tweaking of anything that needed to be adjusted. The rods were placed in the jacks (from the back), shafts were in their holders, and a “warp” thread was tied onto the front beam, through the reed, through a heddle eye, and tied to the back beam. The thread should have been resting lightly on the bottom of the heddle eye, but was up just slightly, so all shafts (and holders) were raised one hole in the Texsolv, and now the thread IS resting in the bottom of the heddle eye.
When the rods and holders are removed, the action will drop a bit, and the thread should then be in the middle of the heddle eye.
The long V-cords run down in back of the shafts and lamms as they are supposed to. The distance from the floor to top of lamms was checked, and though not exactly at the measurements provided to me quite awhile back by Joe (RugsbyJoe), they are only 1/4″ or so off, and changing by one loop in the Texsolv cord changes the measurements too much, so they changed back to where I originally had them.
Treadles are being tied up today for a 10 shaft twill though some of the tie-up cords are missing. I ordered more Texsolv cord, so while waiting for it to arrive, the warp will be made, a white and unbleached stripe, giving me options in weaving all-over plaids, border plaid, stripes, twill, plain weave, and so on, as well as varying the treadling. This will be a 12-15 yard warp, using cottolin that I have on hand, a fiber combination I enjoy weaving with.
There were two “interruptions” last week in the form of phone calls from the Northwoods Wildlife Center. As a rescue driver for them, I never know when they might call. Last Saturday came a request to drive to the U.P. to look for an eagle that was down. After searching for two hours, and not finding the eagle, we returned home. It may have gorged earlier and could not fly, but was gone by the time we arrived, or may have been stunned by a mishap with a car, but recovered enough to fly. We’ll never know.
The second call was Wednesday, could I meet up with someone from MI DNR and transport an eagle over to NWC in Minocqua, which I did. I stayed to watch Mark (rehabber) remove the eagle from the carrier, a quick refresher for me on how to grasp the legs and keep clear of those talons. I just called NWC, talked to Mark, and found out the eagle had severe internal injuries and only survived 1 1/2 days. Sometimes this volunteer work is heartbreaking, and other times it is very rewarding.
Today was my last day at The Studio Gallery for 2008. Tomorrow is the last day we are open for business for 2008, though any of the artists may be contacted anytime throughout the year. It was an interesting season, given the economy. Though there were many positive comments on my woven table runners, they did not sell well this year, yet my socks, made on a 1908 Gearhart sock machine, sold very well. This was the first year I was making socks to sell.
The Studio Gallery is a cooperative gallery with eleven artists this year. We all contributed to annual expenses, and most members worked two or three days per month. Located in Boulder Junction, WI, the gallery is in a small, old, railroad building behind, which has a unique charm and come spring, a clean-up day takes place, and the new artwork is hung/displayed.
There are a number of birdhouses in the immediate vicinity, and pottery birdbaths are located outside, bringing winged visitors and beautiful birdsong. In previous years, we had beautiful flowers in the beds inside the gate, and a gorgeous window box planted, yet every year, midway through summer, we would arrive to find the local deer had jumped the fence and devoured everything in sight. They apparently had not read the books about which plants deer do not eat.
This year several of the women gathered together, cut out large wooden flowers, and painted them in bright, cheerful colors. We had many, many people inquire about purchasing the flowers, but believe next spring they will be sanded down, and re-painted and displayed again. With the circle cutouts in some of them, people loved posing and having their pictures taken. It worked out very well.
I brought my runners and socks home late this afternoon, not wanting to make the 40 minute drive again tomorrow. Tonight I am thankful for another year with the gallery, and I am already looking forward to 2009, and working on ideas for next year.
This morning there was a post by Jason Collingwood, informing weavers that his father, Peter Collingwood, had passed away yesterday, unexpectedly, while in his workshop, his favorite place.
The weaving world has lost an individual who shared his discoveries in the form of books, workshops, and through on-line lists such as WeaveTech. This year, interviews with Peter Collingwood, on two DVDs, were made available at Convergence 2008, and are now available through Complex Weavers.
When I first started weaving, Peter Collingwood was going to be giving a workshop at The Looms, in Mineral Point, WI. Ken Colwell urged me to attend, but as I had just taken only my first or second week of weaving classes, I felt I did not know enough too understand the content of the workshop, so I declined, a decision I have regretted these many years. We will all miss Peter’s knowledgeable and sharing posts on WeaveTech.