Category Archives: Glimakra Regina tapestry/rug loom

There is a Long Winter Ahead

I’ve been thinking about the long WI Northwoods winter ahead, and what weaving I would like to do during the coming months.  This is a preview, I hope, of what will be appearing on this blog.

Warp and weft for the Glimakra Regina.
Warp and weft for the Glimakra Regina.

I enjoy trying and learning about new areas of weaving, while continuing to explore current interests.  Tapestry is something I’ve wanted to learn the basics of for the past 2-3 years.  I had started a year or more ago, but the timing wasn’t working out with commitments I had made, so a new attempt is underway.  I’m hoping with a few months of winter ahead, I’ll have more time to give to it daily.

To that end, I signed up for Rebecca Mezoff’s “Warp and Weft:  Learning the Structure of Tapestry: (all-three-at-once!), almost two weeks ago, and since then have been working through the reading and videos, and ordering warp and weft which just arrived two days ago.  Now, it’s time to make a warp and learn how to beam a warp on the Glimakra Regina,… very exciting!

Harrisville Highland in autumn colors.
Harrisville Highland in autumn colors.

At the time the yarn was ordered, we were at peak autumn color, and those are the colors I ordered.  Autumn went by so quickly I decided capturing it in a tapestry sample would extend the season.

Marks Mattgarn.
Marks Mattgarn.

Just over a week ago I had a phone call from an area TV news program reporter, asking if she could come visit and interview me.  I was a bit hesitant, but agreed, and the day and time were set.  She didn’t know until later, but the interview was the morning of my 65th birthday!  The video can be found here.  A couple days after it aired, I received a phone call from a gentleman whose (late) wife was a weaver,… would I be interested in purchasing some yarn.  He arrived a couple days later, and I added 33 skeins of royal blue, red, and evergreen Marks Mattgarn to my weaving yarn stash.  I’ll think of you, Alice, when it is woven up.

Woven shibori, in progress.
Woven shibori, in progress.

Woven shibori continues on my countermarche loom, currently 10 shaft/12 treadle, straight draw twill, 100% Bockens cotton.  This particular scarf is planned to be an infinity scarf.  After that, I believe I’ll change the tie-up for longer floats.

First scarf off this twill warp.
First scarf off this twill warp.

This scarf still needs to be washed, pressed, and have fringe twisted.  I like the slightly meandering lines.   This warp needs to be woven off, or re-threaded and new tie-up as I have a custom order to do and I want a different look for the borders.  After several more scarves for Artistree Gallery, and after I have my online shop finally up and running, the next warps will be for my first attempts at woven shibori garments.  I’m looking forward to this and expect a lot of trial and error, and learning.

Woven shibori.
Woven shibori.

This woven shibori was meant to be a scarf with hand-twisted fringe.  Unfortunately, I ran out of warp just before the end, no fringe for the end, so it will be used in sachets, part of a cushion, or other work.

Single-unit drawloom, waiting for this weaver.
Single-unit drawloom, waiting for this weaver.

In the studio, the drawloom has been sitting neglected for a long, long time.  I have a deadline coming up for a sample exchange so a lot of time at the drawloom, every day, will be needed, starting tomorrow.  (Tonight I hope to finish up the Medicare Maze/decisions.)

Handspun Coopworth (roving).
Handspun Coopworth (roving).

I wrote about Spinzilla 2015 in the previous post.  When I went to ply the yarn on four bobbins (into two skeins of 2 ply), the plying head driveband was nowhere to be found (and is still missing). However, I wasn’t going to wait to find it, and a new one is on the shelf.  I need to place each skein on the yarn swift and re-fill the bobbins, then do the plying.  Then back to occasional spinning (there is quite a bit more roving left).  I’m hoping the yarn won’t be too bulky for a sweater; if it is, then a knit or woven shawl.  Someday this project will be done.

Homemade valances for the kitchen.
Homemade valances for the kitchen.

One last small home project the past three evenings has been picking the hems out of seven valances and the linings, so 14 panels in all.  I had these in the kitchen a few years back and want them up again this winter, but shortened by a couple inches.  Two left to do, then I can rotary cut the couple inches off each, re-pin, and machine sew.  They should be up in a few days!  Living in a log home in the woods, curtains have never been needed, especially in summer with windows open. But in winter, that added color makes the kitchen feel even more cozy.

Being thankful for the blessings in my life, I like to contribute to programs that speak to me.  KIVA microloans is one, Adopt-A-Native-Elder is another.  A month or so ago, another program crossed my path, The Tibetan Nuns Project (website), and TNP Facebook page, and I have made the commitment to sponsor a Tibetan nun for a year (it will be more!), and have been learning about their lives, struggles, and goals.  We can add happiness to our lives in many ways.

I had thought previously about giving a percentage of what I earn to a cause or program, and a few days ago decided The Tibetan Nuns Project would be the one.  In addition to my sponsoring the young woman, 10%+ of what I earn will go to either sponsoring another nun, and/or towards the needs of the nunneries that TNP are working with.

The Tibetan Nun Project in Shuttle Works Studio.
The Tibetan Nun Project in Shuttle Works Studio.

So, as a positive reminder, a photo of the nun I sponsor along with her information, and a 2016 TNP Calendar are posted on the bulletin board over a work table, near the loom I spend the most time at.   I’m looking forward to an occasional letter exchange with her, reading newsletters and updates about the nunneries and program, making TNP another reason to keep on weaving!

Oh yes, all that isn’t enough, I have a few sock orders to do, Artistree Gallery wants socks, and Louise (friend) and I are planning a first attempt at warp painting in November, before it gets too cold.  It’s good to keep busy with things we enjoy doing!

POSTSCRIPT!

I had emailed The Tibetan Nuns Project to see if there was a photo I could use, without breaking copyright.  Later in the day I did this blog post and had not yet heard back from them.  Well, I have heard back, and a photo was sent, and here it is!

Tibetan Nuns Project photo, provided by and used here with their permission.
Tibetan Nuns Project photo, provided by and used here with their permission.

No More Dallying!

Woven shibori scarf in progress.
Woven shibori scarf in progress.

It’s been a long and very cold winter, and I will spare you photos of the last blizzard.  It’s also been a period when I wasn’t feeling 100%, and more than anything wanted to hibernate, and often did.

Perhaps spring is on the way?  I want to weave, and am back working on a somewhat narrow warp for woven shibori scarves (above).  This scarf is being treadled randomly and the number of plain weave rows between each “pattern” row also varies. 16/2 Bockens cotton, sett 30 epi, and I’m using a neutral color of rug warp for the pattern rows which are removed after dyeing with indigo. Stay tuned to see the finished scarves!

Drawloom warp is threaded, sleyed and tied on, ready to weave.
Drawloom warp is threaded, sleyed and tied on, ready to weave.

If I remember correctly this is a 20/2 cotton warp, sett 64 epi for 5 shaft (ground) satin.  The warp is spread and I’m ready to begin weaving.  Time to locate a chart I’d like to weave, to begin, then dig out designs I was working on, simplified from photos I took in China years ago.  I still need to transfer (and possibly enlarge a bit) to graph paper.

Glimakra "Sara" loom.
Glimakra “Sara” loom.

The Glimakra “Sara” upright tapestry loom is a simple frame-type loom, tall, on legs, adjustable weaving length, and has hard plastic “teeth” top and bottom to wrap yarn on.  This loom can be warped at 5 epi or 10 epi.  I may regret it, but I warped it at 10 epi with bleached 12/6 seine twine after finding the linen I was going to use was a bit too wide/coarse for that sett.  It is warped in two sections for a tapestry daily calendar.  I had decided to try this in February, then promptly came down with a head cold.  Now, I can either make up the weaving, or start March 1st.

The idea of a tapestry diary or daily calendar is to weave a small bit each day which is appealing and doesn’t feel overwhelming.  I’ve been debating with myself over how to approach this weaving,… vertical or horizontal?  A particular shape (square, rectangle, trapezoid)?  Freeform?  Color approach?  I do know this will also be a good way to learn and experiment with tapestry techniques, and color.  It’s time to sit down at the loom and take the first step, then I’ll be asking myself what took so long.

Behind the “Sara” loom in the photo above is the new-to-me “Regina” tapestry loom.  Part of the studio was rearranged to make a nice home for it, lights will be installed shortly, and I’m waiting for a new 8 dent stainless steel reed to arrive, again, from Gowdey Reed Company in Rhode Island.

The pace of life is about to pick up.  My younger daughter’s wedding is in two weeks.  We’re hoping the weather will begin to warm up a bit in early April so we can begin refinishing floors, then treating the log walls.  Our first seed order arrived and very soon we’ll be setting up and “fencing” a table in the basement where we can start seeds (and keep the cats out!).  After the snow has melted and frost is out of the ground, we’ll set up raised beds, put up fencing, and plant vegetable and flower gardens.  We’re planning to add bees next year.

And while all those projects are going on, the weaving must continue, and we’re finally going to add the opphamta attachment to my Standard loom, something I’ve been waiting years for.

In addition to the Northwoods Art Tour, and one or two open studio days of our own, I’ll again participate in a show with the Art Gypsies.  A busy and exciting year coming up!

New Weaving Adventures Ahead!

Things have been quiet in the studio the past month or so, between the winter blahs, and waiting for a reed to arrive. One evening I was thinking the seine twine heddles on the drawloom were a bit too heavy for the dense sett, and the next morning I had a note from another weaver saying she had experienced the same thing and perhaps I needed to make them from something a bit finer.  I would need to order a bit finer seine twine.

While on the computer looking up seine twine sizes, I decided to look at the GlimakraUSA used loom page. Not long after I first learned to weave (1981) I’d seen a Glimakra catalog and decided someday I would have a Glimakra Regina (vertical) tapestry/rug loom. A few years later they stopped production of that loom. I was so disappointed but thought perhaps someday I would find one.

I’ve been watching used loom lists for years, but that loom seems to be somewhat rare here and they were always far away and would cost hundreds more for shipping, so I kept waiting and hoping.

The day I looked again, there were a couple for sale, one in AZ, another further away. Going down the list there was another,… an HOUR away from my home, and looking at the email address realized it was Carol, one of our guild members.  Picking up the phone, I called her right away, asked questions, and agreed to buy it.

Glimakra Regina loaded into my car.
Glimakra Regina loaded into my car.

A few days ago I drove over and we were able to load all the pieces up into my car.

Box with ratchets, treadles and wedges.
Box with ratchets, treadles and wedges.

On the front seat was the box holding the treadles, ratchets, wedges, and instructions for both loom assembly and warping.  The loom is 60″ wide and has 3 sets of treadles.

The loom had a few extra parts, as Carol had had a woodworker make extra shafts and treadles so the loom could be used as a 4 shaft loom.  They will be useful in the future, but to start I’ll be using the loom’s original two shafts.

Glimakra Regina (vertical) tapestry/rug loom, now assembled in the studio.
Glimakra Regina (vertical) tapestry/rug loom, now assembled in the studio.

On Saturday, with Char’s help, the loom was assembled. My preference for reeds is stainless steel reeds, the reed that came with the loom wasn’t, so on Sunday, I was back online ordering a new 8 dent 60″ 8 stainless steel reed from Gowdey Reed Company in Rhode Island.  I’ve ordered from them before and their reeds are well-made and strong.

Needless to say, I’m excited to finally have this loom and very excited about the possibilities!  And Carol is VERY happy the loom was going to my home studio.

Now, I need to decide between starting with a tapestry sampler or a Scandinavian style Rana, and get warp and weft ordered.  Since I am starting a tapestry diary on the Glimakra “Sara” loom, and have a tabletop Schacht in reserve for starting to learn tapestry techniques, the thought of weaving a Rana is highly likely. Examples of Ranas may be found in “43 vavar av En enda varp” by Leena Svensson; “En annan bild av Lappland” by Doris Wiklund; and “Old Swedish Weavings from North to South” also by Doris Wiklund.

Carol and I are also going to partner up and be our own weaving study group as our area guild members prefer social meetings only. We’re exchanging emails detailing our weaving interests to find topics we would both want to learn and spend time on. More to look forward to!

Now, down to work in the studio, so I can get back to sharing photos of weaving!